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This work provides an overview of the Disney organization, in particular the theme parks and their significance for contemporary culture. The author examines topics such as Walt Disney's life and how his biography has been constructed, the Disney Company in the years after his death and various writings about the Disney theme parks. He raises important issues about the parks such as: whether they are harbringers of postmodernism; the significance of consumption at the parks; and the representation of past and future. The discussion of theme parks links with the presentation of Disney's biography and his organization by showing how central economic and business considerations have been in their development and how the significance of these considerations is typically marginalized in order to place an emphasis on fantasy and magic.
- Sales Rank: #2452883 in Books
- Published on: 1995-10-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .54" w x 5.50" l, .67 pounds
- Binding: Paperback
- 236 pages
Review
"It will be devoured by students." -- David Chaney, University of Durham
About the Author
Alan Bryman is Professor of Organizational and Social Research, School of Management, University of Leicester, UK.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Overview of Disney Criticism
By D.K. P.
This book is a useful entry point for those wishing to learn more about Walt Disney, the Disney theme parks (mostly Disneyland and Walt Disney World), and the academic criticism of the two. Bryman writes in a straightforward style, although a bit dully at times, that provides a solid foundation and useful biography for these topics. The first part of the book focuses on Walt Disney and Life after Walt, roughly. The second part of the book focuses on the theme parks and the major themes/issues that academics have touched upon. Warning: It is not, however, an in-depth examination of the theme parks, as such, and readers looking for detailed descriptions of the theme parks would be better off looking at Fjellman's Vinyl Leaves for that kind of work.
What is most useful about Bryman's book is his distillation of others' writings. for example, Bryman helpful provides a compilation of those writers who examine the Disney theme parks from a postmodern perspective. This provides the reader with a sort of "for further reading" list and crib notes for those authors' stances on Disney and postmodernism. Other themes and threads Bryman introduces include: Disney and control, families, the cinematic experience, tourism, other theoretical perspectives, etc. In many ways, Bryman's book would be a good introductory textbook on Disney Studies and/or it operates as a bio-bibliography.
This is not to say the book shies from its own critique. With regard to postmodernism, Bryman's perspective is quite clear--he doesn't think it works too well. Overall, Bryman's interest is in examining Disney theme parks from the standpoints of business and tourism. In this, Bryman offers some perspectives on Disney that have, to date, been underdeveloped. Useful are his characterizations of Walt Disney as a charismatic leader and Corporate Disney as a culture. His development of Chris Rojek's (and others) representation of tourism and post-tourism (a development of tourism studies that is more in keeping with postmodernism, and perhaps more accurate to the study of Disney).
The book was well worth its original price, if for no other reason than it provides a wealth of information on other writings on Disney. If you don't mind Bryman's sometimes stilted prose, or lots of summary on others' ideas, or the sense that sometimes Bryman feels obligated to defend Disney from an academic (rather than personal) standpoint, it's a good choice. Speaking from the perspective of an academic who is avidly trying to read as much as possible on Disney, I can truthfully say the book is invaluable. Bryman has done his homework--and my homework, too!
0 of 0 people found the following review helpful.
Disney Goes to College
By LC
This is an absolute must read along with Multi-Culturalism and the Mouse, for any Walt Disney, or Disney aficionado. The in-depth research is impressive, and the read is both smooth and scholarly. The significance of broader ideas and concepts, is adeptly combined with a plethora of details and developments to create a truly interesting work. Even for those who don't get or are unmoved by Disney will better understand the depth of the conceptual process upon reading this book. Chapters are well organized, and while the information is vast the read goes quite quickly moving from concept to development to significance.
I highly recommend it for anyone interested in the process of creativity and the development of ideas.
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